This series of posts containing all the Psalms from October 2024 to December 12 is intended as a resource for those who want to look at and hear the Bible as song. Interim posts document lines of research and terminology.
Chapters of the rest of the Bible posted after October are part of the same resource and the same presentation scheme. e.g. 2 Kings 9, 2 Samuel 1:19-27, Qohelet 3, Genesis 1, 2, 3, and shir hashirim.
Psalms | |||||||||||||||||||||
Book I Complete | |||||||||||||||||||||
1-2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | |||
22 | 23 | 24 | 25 | 26 | 27 | 28 | 29 | 30 | 31 | 32 | 33 | 34 | 35 | 36 | 37 | 38 | 39 | 40 | 41 | ||
Book II 48 to 72 Complete | |||||||||||||||||||||
42 | 43 | 44 | 45 | 46 | 47 | 48 | 49 | 50 | 51 | 52 | 53 | 54 | 55 | 56 | 57 | 58 | 59 | 60 | 61 | 62 | |
63 | 64 | 65 | 66 | 67 | 68 | 69 | 70 | 71 | 72 | ||||||||||||
Book III 73-89 Complete | |||||||||||||||||||||
73 | 74 | 75 | 76 | 77 | 78 | 79 | 80 | 81 | 82 | 83 | 84 | 85 | 86 | 87 | 88 | 89 | |||||
Book IV 98-106 Complete | |||||||||||||||||||||
90 | 91 | 92 | 93 | 94 | 95 | 96 | 97 | 98 | 99 | 100 | 101 | 102 | 103 | 104 | 105 | 106 | |||||
Book V (137-42, 147-9 to Dec 12) | |||||||||||||||||||||
107 | 108 | 109 | 110 | 111 | 112 | 113 | 114 | 115 | 116 | 117 | 118 | 119 1-4 | 119 5-8 | 119 9-12 | 119 13-16 | 119 17-22 | |||||
120 | 121 | 122 | 123 | 124 | 125 | 126 | 127 | 128 | 129 | 130 | 131 | 132 | 133 | 134 | |||||||
135 | 136 | 137 | 138 | 139 | 140 | 141 | 142 | 143 | 144 | 145 | 146 | 147 | 148 | 149 | 150 |
- Continuing to learn
- Psalm 76 and Review Quiz
- Another quiz
- Comparing copies of the text
- Oral Tradition 1, 2
- Composing a verse
- Review 1, 2 (scheduled Dec 13)
The music in these posts is entirely derived from the accents in the Hebrew Bible. Introductions - letters, music, text and music, and terminology, are available here. Perhaps read the introductions oldest first. There are other posts on statistics and the difficulty of approaching music as an outcome with terminology that is not used to describe music.
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