One more early psalm from the beginning. Read - look for recurrence patterns - determine if the music supports the strophes.
Read
| thlim | Psalms | ||
| g | 3 | ||
| a | mzmor ldvid, bborko mpni abwlom bno. | 1 | A psalm of David, when he ran away from the face of Absalom his son. | 
| b | ihvh mh-rbu xrii! rbim qmim ylii. | 2 | Yahweh, how multiplied my straits! Many arise over me. | 
| g | rbim aomrim lnpwi, ain iwuyth lo balohim slh. | 3 | Many say of me, There is no salvation for him in God. Selah. | 
| d | vath ihvh mgn bydi, cbodi umrim rawi. | 4 | But you, Yahweh, a shield about me, my glory, and lifting high my head. | 
| h | qoli al-ihvh aqra, viynni mhr qodwo slh. | 5 | My voice, to Yahweh I call, and he answers me from his holy hill. Selah. | 
| v | ani wcbti vaiwnh. hqixoti, ci ihvh ismcni. | 6 | I lie down and I sleep. I awake, for Yahweh supports me. | 
| z | la-aira mrbbot ym, awr sbib wtu ylii. | 7 | I will not fear the multiplicity of people, that surround set over me. | 
| k | qumh ihvh howiyni alohii ci-hcit at-cl-aoibii lki. wini rwyim wibrt. | 8 | Arise Yahweh. Save me my God for you strike all my enemies on the cheek. The teeth of the wicked you break. | 
| 't | lihvh hiwuyh. yl-ymç brctç slh. | 9 | Of Yahweh is the salvation. On your people your blessing. Selah. | 
Recurrence
 
I have made the verses start for the most part on the left hand edge of the image. Does this music dictate a collecting of verses into strophes?
The music helps. It need not dictate.
	
| Word
  / Gloss | 1 | 2 | 3 | 4 | 5 | 6 | 7 | Vs | Stem | |
| יהוה
  Yahweh | ░ | 2 | יהוה | |||||||
| רבו
  multiplied | ░ | 2 | רבב | |||||||
| רבים
  many | ░ | 2 | רב | |||||||
| קמים
  arise | ░ | 2 | קום | |||||||
| רבים
  many | ░ | 3 | רב | |||||||
| ישועתה
  salvation | ░ | 3 | ישע | |||||||
| סלה
  selah | ░ | 3 | סלה | |||||||
| יהוה
  Yahweh | ░ | 4 | יהוה | |||||||
| יהוה
  Yahweh | ░ | 5 | יהוה | |||||||
| סלה
  selah | ░ | 5 | סלה | |||||||
| יהוה
  Yahweh | ░ | 6 | יהוה | |||||||
| מרבבות
  the multiplicity of | ░ | 7 | רבב | |||||||
| עם
  people | ░ | 7 | עם | |||||||
| קומה
  arise | ░ | 8 | קום | |||||||
| יהוה
  Yahweh | ░ | 8 | יהוה | |||||||
| הושיעני
  save me | ░ | 8 | ישע | |||||||
| ליהוה
  of Yahweh | ░ | 9 | יהוה | |||||||
| הישועה
  is the salvation | ░ | 9 | ישע | |||||||
| עמך
  your people | ░ | 9 | עם | |||||||
| סלה selah | ░ | 9 | סלה | 
Yahweh and selah play roles in recurrence in this psalm. Verses 1-5 and 6-9 have a clear sequence of recurring roots. The focus of the psalm is people.
Music
|  | 
| Psalms 3, the melody based on the deciphering key of Suzanne-Haïk-Vantoura. | 
I have made the verses start for the most part on the left hand edge of the image. Does this music dictate a collecting of verses into strophes?
1-2 + possibly 3 together. Or is the opening g of verse 2 meant to be a continuation of Psalms 2? Note that verse 3 is a bi-colon separated by the ole-veyored, a cadence on the supertonic, the second note of the scale.
4-5 together. 6 standing alone? Verse 6 has two cadences. It is easy to miss the first one (the ole-veyored on the third word). The fourth word stands alone, I awake. (qvx). The fifth and sixth word follow the atenach.
Then 7-8 together (joined by the ornament)? 9 standing alone? The opening reciting note for verse 7 is the tonic, but it is ornamented. We could interpret this as emphasizing what is to come rather than joining it to the prior verse. So is 7 better taken as a response to the security of verse 6?
The music helps. It need not dictate.
What if we looked at syllable counts and the highest note in each phrase? I originally divided this in threes. But If I separate verse 1 (the inscription), I could divide the remainder in pairs of verses. This puts the te'amim into a frame for the 8 verses. You can see this in the Max column B-C ... C-B. This would be aurally evident in a performance.
| Min | Max | Syll | ||
| מִזְמ֥וֹר לְדָוִ֑ד בְּ֝בָרְח֗וֹ מִפְּנֵ֤י ׀ אַבְשָׁל֬וֹם בְּנֽוֹ | 1 A psalm of David, when he ran away from the face of Absalom his son. | 3e | 4C | 5 10 | 
| יְ֭הוָה מָֽה־רַבּ֣וּ צָרָ֑י רַ֝בִּ֗ים קָמִ֥ים עָלָֽי | 2 Yahweh, how multiplied my straits! Many arise over me. | 3e | 4B | 7 6 | 
| רַבִּים֮ אֹמְרִ֪ים לְנַ֫פְשִׁ֥י אֵ֤ין יְֽשׁוּעָ֓תָה לּ֬וֹ בֵֽאלֹהִ֬ים סֶֽלָה | 3 Many say of me, There is no salvation for him in God. Selah. | 3d | 4C | 7 11 | 
| וְאַתָּ֣ה יְ֭הוָה מָגֵ֣ן בַּעֲדִ֑י כְּ֝בוֹדִ֗י וּמֵרִ֥ים רֹאשִֽׁי | 4 But you, Yahweh, a shield about me, my glory, and lifting high my head. | 3e | 4B | 10 8 | 
| ק֭וֹלִי אֶל־יְהוָ֣ה אֶקְרָ֑א וַיַּֽעֲנֵ֨נִי מֵהַ֖ר קָדְשׁ֣וֹ סֶֽלָה | 5 My voice, to Yahweh I call, and he answers me from his holy hill. Selah. | 3e | 4B | 7 11 | 
| אֲנִ֥י שָׁכַ֗בְתִּי וָֽאִ֫ישָׁ֥נָה הֱקִיצ֑וֹתִי כִּ֖י יְהוָ֣ה יִסְמְכֵֽנִי | 6 I lie down and I sleep. I awake, for Yahweh supports me. | 3e | 4B | 9 4 7 | 
| לֹֽא־אִ֭ירָא מֵרִבְב֥וֹת עָ֑ם אֲשֶׁ֥ר סָ֝בִ֗יב שָׁ֣תוּ עָלָֽי | 7 I will not fear the multiplicity of people, that surround set over me. | 3e | 4B | 6 8 | 
| ק֘וּמָ֤ה יְהוָ֨ה ׀ הוֹשִׁ֘יעֵ֤נִי אֱלֹהַ֗י כִּֽי־הִכִּ֣יתָ אֶת־כָּל־אֹיְבַ֣י לֶ֑חִי שִׁנֵּ֖י רְשָׁעִ֣ים שִׁבַּֽרְתָּ | 8 Arise Yahweh. Save me my God for you strike all my enemies on the cheek. The teeth of the wicked you break. | 3e | 4C | 20 8 | 
| לַיהוָ֥ה הַיְשׁוּעָ֑ה עַֽל־עַמְּךָ֖ בִרְכָתֶ֣ךָ סֶּֽלָה | 9 Of Yahweh is the salvation. On your people your blessing. Selah. | 3e | 4B | 5 9 | 
 
 
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