For there is a language of flowers
for flowers are peculiarly, the poetry of Christ (Christopher Smart)
א ב ג ד ה ו ז ח ט י כ ל מ נ ס ע פ צ ק ר ש ת
Saturday, 7 August 2010
A reminder of the peculiar poetry of Christ
Some nice smelling lavender with backlight from our clerestory windows, and some more flanked by roses and hydrangea.
Now this is cool
Two-letter lookup - may prove quite useful - and resolves some of those tricky lost letter thingys
HT Henry
HT Henry
Friday, 6 August 2010
Summary by frame to psalm 60
We have seen the envelopes - here is a short summary so far. First we can go beyond the initial structure I posed earlier. The psalter is formed in several concentric groupings.
52 - we are back in David's world and his condemnation of the deceitful tongue is a sharp reminder of Psalm 12
53 - this Elohist repeat of Psalm 14 reminds us that all is not well on the earth. It is named as a Maskil though its double is not.
54-55 are on the inner battle. We have a strong tendency to objectify the enemy. I hope I do not read too much into the divine solution - the destruction of the enemy begins with the destruction of our sin
Psalm 56-60 - five troubling even bloodthirsty psalms follow this note on the inner battle! They end with the clear statement of who is in charge. Why are these miktamim together? Why is Psalm 16 also a miktam?
- the outer frame of psalms 1, 2, 149
- the inner frame of the personal Davidic psalms
- the inner frame of the acrostics in books 1 and 5 only
- the use of divine names - the existence of the Elohist psalter
- the inner frame of Korah
- the inner frame of Asaph
- the central Davidic core of books 2 and 3 - Solomon's pair of psalms
- (Moses also figures in the text of book 4 - but has only one psalm attributed to him)
- the Davidic envelope in book 5 and scattered parts of the Songs of ascent with Solomon at its centre
- the similar structure of the five books - all ending with praise.
I am not the first to point these out but they are confirmed so far in my sequential reading. I can imagine the collections taking shape in multiple locations and then perhaps at the return from exile, a few cooperative priests together merge them. What strikes me is the switch from David to Korah/Asaph and back again with the odd outliers in what may well be strategic positions - e.g. 75 as the final of the Do Not Destroy series or 142 as the last Maskil etc.
Of the last psalms since Psalm 50, what can be said
51 - the clear concentric circle of new frames blot out - purify - wash places this poem in its usual context as the ultimate in penitential writing. David the anointed provides the example of exactly what a marriage should not be (in contrast to the hopeful and celebratory Psalm 45)52 - we are back in David's world and his condemnation of the deceitful tongue is a sharp reminder of Psalm 12
53 - this Elohist repeat of Psalm 14 reminds us that all is not well on the earth. It is named as a Maskil though its double is not.
54-55 are on the inner battle. We have a strong tendency to objectify the enemy. I hope I do not read too much into the divine solution - the destruction of the enemy begins with the destruction of our sin
Psalm 56-60 - five troubling even bloodthirsty psalms follow this note on the inner battle! They end with the clear statement of who is in charge. Why are these miktamim together? Why is Psalm 16 also a miktam?
A clarifying image
Here's a rework and correction of the earlier image. David's border colour is red, Asaph in book 2-3 only green, Korah blue - book 2 and 3 only, I had slipped from one Moses to two and two Solomon to one - easy slip to make.
David is the only attribution to appear in all books. Maskilim have a double border, miktamim a quad border
Can you write a maskil or a miktam?
David is the only attribution to appear in all books. Maskilim have a double border, miktamim a quad border
Can you write a maskil or a miktam?
Wednesday, 4 August 2010
Monday, 2 August 2010
Neale - the four volume summary of reception history of the psalms
This is a marvelous summary of the psalter over 17 centuries - I copy these links here for convenience. A list of digitized works including his hymn collections is here
| A commentary on the Psalms: from primitive and mediaeval writers; and from the various office-books and hymns of the Roman, Mazarabic, Ambrosian, Gallican, Greek, Coptic, Armenian, and Syrian rites (Volume 1) - Neale, J. M. (John Mason), 1818-1866 Vol. 1. Psalm I to Psalm XXXVIII.- Vol. 2. Psalm XXXIX. to Psalm LXXX.- Vol. 3. Psalm LXXXI. to Psalm CXVIII.- Vol. 4. Psalm CXIX. to Psalm CL, with index of Scripture references | ||
| A commentary on the Psalms: from primitive and mediaeval writers; and from the various office-books and hymns of the Roman, Mazarabic, Ambrosian, Gallican, Greek, Coptic, Armenian, and Syrian rites (Volume 2) - Neale, J. M. (John Mason), 1818-1866 Vol. 1. Psalm I to Psalm XXXVIII.- Vol. 2. Psalm XXXIX. to Psalm LXXX.- Vol. 3. Psalm LXXXI. to Psalm CXVIII.- Vol. 4. Psalm CXIX. to Psalm CL, with index of Scripture references | ||
| A commentary on the Psalms: from primitive and mediaeval writers; and from the various office-books and hymns of the Roman, Mazarabic, Ambrosian, Gallican, Greek, Coptic, Armenian, and Syrian rites (Volume 3) - Neale, J. M. (John Mason), 1818-1866 Vol. 1. Psalm I to Psalm XXXVIII.- Vol. 2. Psalm XXXIX. to Psalm LXXX.- Vol. 3. Psalm LXXXI. to Psalm CXVIII.- Vol. 4. Psalm CXIX. to Psalm CL, with index of Scripture references | ||
| A commentary on the Psalms: from primitive and mediaeval writers; and from the various office-books and hymns of the Roman, Mazarabic, Ambrosian, Gallican, Greek, Coptic, Armenian, and Syrian rites (Volume 4) - Neale, J. M. (John Mason), 1818-1866 Vol. 1. Psalm I to Psalm XXXVIII.- Vol. 2. Psalm XXXIX. to Psalm LXXX.- Vol. 3. Psalm LXXXI. to Psalm CXVIII.- Vol. 4. Psalm CXIX. to Psalm CL, with index of Scripture references |
Sunday, 1 August 2010
Blogging
Do you only blog because you're right and you can put to right the rest of the world?
I'm sure you wouldn't put it quite that way.
For what it's worth, I blog to learn. Just like I listen to others - but I don't necessarily believe everything I read - and I am open to the fact that in my stretches to learn, my detail work will have errors. Not that being error free is anything (even the Bible knows that being error free is a red herring.)
I do have something that may find a way under the thick skins, stiff necks and hard hearts of others too. You never know.
I'm sure you wouldn't put it quite that way.
For what it's worth, I blog to learn. Just like I listen to others - but I don't necessarily believe everything I read - and I am open to the fact that in my stretches to learn, my detail work will have errors. Not that being error free is anything (even the Bible knows that being error free is a red herring.)
I do have something that may find a way under the thick skins, stiff necks and hard hearts of others too. You never know.
Subscribe to:
Posts (Atom)