This is one of the most famous, notorious mix-ups in the history of the Unicode Hebrew block, and biblicists, typographers, and software engineers have been wrestling with it for nearly three decades.
1. The Unicode Inversion Trap
- In the 21 Prose Books: The accent called Zarqa (זַרְקָא) is strictly postpositive. Because Hebrew reads right-to-left, "postpositive" means it must appear at the end of the word—hanging over the far left edge of the final consonant (or off its left shoulder).
- In the 3 Poetic Books (Sifrei Emet): The mark called Tsinnor (צִנּוֹר) or Tsinnorit (צִנּוֹרִית)—sometimes called poetic zarqa—is centered directly over the consonant of the accented syllable.
-
U+0598
was given the name HEBREW ACCENT ZARQA, but Unicode assigned it Canonical Combining Class
230(Above—centered over the letter). -
U+05AE
was given the name HEBREW ACCENT ZINOR, but Unicode assigned it Canonical Combining Class
228(Above_Left—postpositive on the left). - Because the Unicode Consortium operates under a strict Character Name Stability Policy, once a character name is published, it can never be changed or renamed. As a result:
-
U+0598is permanently stuck with the nameZARQA, even though typographically and historically its centered glyph belongs to poetic tsinnorit. -
U+05AEis permanently stuck with the nameZINOR, even though typographically its left-aligned postpositive placement is what prose zarqa actually requires.
0598 = tsinorit, zinor), but digital databases (including the Westminster Leningrad Codex,
Michigan-Claremont, and tanach.us) had to make tricky engineering
choices about which code point to store for which accent.
2. Why It Is not Easily Reproducible in a Dialogue
- Standard operating system UI fonts (Segoe UI on Windows, SF Pro on macOS, Roboto on Android) only have basic Hebrew alphabet support. They lack the advanced OpenType GPOS (Glyph Positioning) anchor tables needed for biblical diacritics.
-
In a plain dialogue box, the browser's text shaper treats both
U+0598andU+05AEas generic non-spacing combining marks. It simply averages their bounding boxes and dumps both glyphs smack in the center of the letter (or awkwardly collides them with the consonant), erasing the distinction between centered and postpositive-left.
U+05AE
over to the far left shoulder of the Alef while keeping U+0598
dead-center.
3. How This Does Not Impact the Music
-
זַרְקָא
zarqa**
(
U+0598/1432): a turn over the centre of the letter, with musical contour formula (-1+1-0), confined to poetry. In Aleppo, the prose occurrences drop to zero. -
צִנּוֹר
tsinnor
(
U+05AE/1454): a turn over the left side of the letter, with musical contour formula (-0-1+1).
ornament_usage_by_pitch.html, maintaining them as two distinct rows:
-
TSINNOR
(
U+05AE/א֮) — dominant across the canon (1,204 occurrences) -
ZARQA
(
U+0598/א֘) — poetic centered turn (144 occurrences)
