Common patterns in the first 15 books of the Bible

I will probably give this up in a few days. But here are the patterns of approaching the rest (or not - one line below has no rest) that occur more than 100 times in the first 14 books of the Tanach. That is Torah, and the Former Prophets and the major prophets. Of course some books are longer in verses than others so it might be better to show a % of verses. Nonetheless, there is a considerable commonality to the musical lines and little to tell us what the mode might be optimal based on this preliminary analysis (in the default mode).

Note pattern	Occurs	Gen	Ex	Lev	Num	Deut	Josh	Judg	1Sam	2Sam	1Kng	2Kng	Is	Je	Ezek
e B f g# B ^A	163	17	13	5	14	11	2	11	11	10	9	10	12	15	23
e B f g# ^A	294	46	27	10	16	22	12	17	16	17	12	15	32	23	29
e B g# B ^A	392	31	29	22	37	27	15	24	17	21	38	25	42	24	39
e B g# ^A	322	41	24	14	39	19	20	16	23	12	14	14	33	31	22
e C B f g# ^A	206	25	29	18	6	10	6	11	13	3	12	13	17	24	19
e C B g# B ^A	202	28	19	15	13	11	8	9	11	10	13	13	13	14	25
e C B g# ^A	162	19	10	17	12	14	7	10	12	5	9	5	14	16	12
e C f g# ^A	209	16	17	9	15	12	7	10	21	19	6	8	30	14	25
e C g# B ^A	219	25	23	10	13	14	7	4	14	10	16	13	35	23	12
e C g# ^A	184	19	17	14	13	8	5	11	11	4	13	6	27	16	20
e c d f g# B ^A	106	16	14	8	11	3	3	6	10	5	10	6	5	4	5
e c d g# B ^A	137	22	11	10	9	9	6	7	7	10	11	2	15	10	8
e c d g# ^A	133	27	9	6	13	12	4	6	10	9	10	6	7	11	3
e d f g# B ^A	137	20	16	7	9	4	3	6	3	4	17	15	12	13	8
e d f g# ^A	196	20	18	19	15	20	8	7	6	8	10	11	17	24	13
e f g# B ^A	553	71	87	34	32	29	16	16	22	17	27	41	70	42	49
e f g# ^A	777	117	76	51	82	58	26	32	46	53	36	24	76	65	35
e f g# f e	149	5	20	27	39	2	4	0	0	1	3	1	1	8	38
e g# B ^A	486	61	41	27	79	21	16	10	23	23	24	24	53	35	49
e g# ^A	477	52	51	30	91	33	16	9	13	29	18	18	44	24	49

And here are the most frequent patterns of returning to the tonic. One thing to note is that what I called the leading tone can equally well descend to the e as rise to the A. Although this music may seem somewhat 'tonal', I suspect that tuning is quite different from what traditional diatonic harmony expects these days. The g# is consistently part of both halves of every verse in these selections. I see only 50 cases in seven patterns (out of 1000s of verses) in the current data for these books where g# does not occur in the return to the tonic.

I was discussing some of our performances at church last week with a listener. The feedback is that this music is dramatic and a real lift to the traditional readings. (Note, while A is the takeoff point for the second half of a verse, there may be no actual continuation on A if there is a change in reciting note on the first syllable after the rest.)

Note pattern	Occurs	Gen	Ex	Lev	Num	Deut	Josh	Judg	1Sam	2Sam	1Kng	2Kng	Is	Je	Ezek
A B f g# e	360	58	26	20	19	32	6	13	28	16	21	20	37	41	23
A B f g# f e	123	11	6	1	7	9	5	9	4	11	11	11	8	8	22
A B g# e	472	47	43	23	45	30	20	16	27	18	31	15	66	45	46
A B g# f e	472	62	36	21	23	44	18	16	32	23	34	17	57	48	41
A C B f g# e	230	16	29	6	19	15	8	12	14	6	11	11	29	34	20
A C B f g# f e	115	8	6	7	8	8	5	8	6	3	8	5	21	12	10
A C B g# e	181	26	17	10	11	7	5	6	7	9	10	3	28	20	22
A C B g# f e	235	19	13	13	19	13	13	12	13	13	16	12	22	18	39
A C f g# e	216	22	19	20	21	10	4	9	13	6	16	6	26	17	27
A C g# e	175	13	15	8	10	12	11	6	12	7	6	4	36	21	14
A C g# f e	195	14	7	7	8	13	10	8	14	10	10	11	36	21	26
A c d f g# e	113	13	15	9	5	13	9	6	6	5	4	6	3	15	4
A c d f g# f e	131	7	16	20	10	8	3	2	4	11	5	7	10	14	14
A c d g# e	124	10	15	7	18	9	4	4	10	12	9	7	6	5	8
A c d g# f e	162	12	16	19	31	4	6	6	8	5	12	9	15	11	8
A d f g# e	328	20	43	25	39	15	17	16	13	14	24	28	15	38	21
A d f g# f e	194	21	17	18	13	9	6	11	10	9	13	17	17	16	16
A e f g# e	153	18	12	10	11	17	9	9	14	10	5	3	9	18	9
A e g# e	146	10	9	8	37	7	13	9	6	5	6	8	9	11	8
A e g# f e	128	13	11	4	25	10	6	10	4	8	5	8	9	3	12
A f d g# f e	114	17	15	14	11	6	1	4	5	6	2	5	10	8	10
A f g# e	1197	178	111	86	90	92	63	52	65	44	80	48	96	89	103
A f g# f e	745	101	52	63	74	50	20	31	32	31	38	43	74	60	76
A g# e	1001	124	113	92	139	56	40	41	36	34	42	39	74	83	88
A g# f e	859	110	65	52	70	45	40	31	46	52	45	43	104	79	77